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The Life of the Buddha: According to the Pali Canon

audiobook The Life of the Buddha: According to the Pali Canon by Bhikkhu Ñanamoli in History

Description

The Seven Addictions and Five Professions of Anita Berber is the first contemporary biography of a notorious actor/dancer/poet/playwright who scandalized sex-obsessed Weimar Berlin during the 1920s.In an era where everything was permitted; Anita Berber‘s celebrations of “Depravity; Horror and Ecstasy” were condemned and censored. She often haunted Weimar Berlin’s hotel lobbies; nightclubs and casinos; radiantly naked except for an elegant sable wrap; a pet monkey hanging from her neck; and a silver brooch packed with cocaine. Multi-talented Anita saw no boundaries between her personal life and her taboo-shattering performances. As such; she was Europe’s first postmodern woman.Among those Anita Berber claimed as members of her vast sexual harem were Marlene Dietrich; Magnus Hirschfeld (the founder of modern sexology and gay liberation); Klaus Mann; Conrad Veidt; Lawrence Durrell; and the King of Yugoslavia. Berber acted in Fritz Lang’s Dr. Mabuse: The Gambler and starred in the silent epic; Lucifer. Even Leni Riefenstahl credits Berber for inspiring her controversial career. After sated Berliners finally tired of Anita Berber’s libidinous antics; she became a “carrion soul that even the hyenas ignored;” dying in 1928 at the age of 29.The Seven Addictions and Five Professions of Anita Berber chronicles a remarkable career; including over 150 photographs and drawings that recreate Anita’s enduring “Repertoire of the Damned.”


#332007 in Books Pariyatti Publishing 2003-09-01Original language:EnglishPDF # 1 8.50 x .87 x 5.50l; 1.10 #File Name: 1928706126400 pages


Review
2 of 2 people found the following review helpful. Dense and Detailed work on the Buddha's Life taken from the Pali sources.By Buddhist from SouthThis is a great academic work; wich any buddhist can benefit from it.... If; they can tolerate the very dull; dry; and schematic writing of the Pali texts. Nanamoli's work gathers; selects; and assemble all the facts of the life of Buddha from four different narrators/sources of the pali tradition.To all those interested in study the gradual Vehicle of Sutra (Sutrayana); they should study this "biography" first; because it allows to access the foundational teachings of the first turn of the Wheel of Dharma (Shravakayana / Vehicle of Hearers) .After this; you maybe want to read Great Disciples of the Buddha: Their Lives; Their Works; Their Legacy (Teachings of the Buddha) (more readable than the Ñanamoli`s). After these two texts; you will notice that it will be easier understand the Sutta Pitaka.1 of 1 people found the following review helpful. Excellent ReadBy JerryThe Life of the Buddha is a ;slow; but excellent read. Bhikkhu Nanamoli's style of using 2 Narrators; 3 Voices; a Chanter is unique works quite well. The previous sentence may give the impression the Book is a play. It is not. It is a unique tome with enough substance for Buddhist casual readers. I use a "Cheat" sheet defining each role as a bookmark to avoid having to flip to the front of the book to refresh my memory. The fact that the book is Theravada in nature is also a plus.37 of 39 people found the following review helpful. The Buddhist BibleBy DaihoBuddhists have no equivalent of the Bible. But this book is perhaps is as close as it comes in the English language; a history of the Buddha; his teachings; and his community; derived entirely from original translations of the earliest sources.Shortly after World War II; Englishman Osbert Moore went to Sri Lanka to monastic vows - and a Buddhist name. In his 11 years of practice; he translated a number of important Buddhist texts to English; but perhaps his best known work is this history of the Buddha; published posthumously after a heart attack at the age of 55 in 1960.Bhikku Nanamoli's work is based on his own translations of the Tripitaka; the earliest written records of the Buddha and his teachings; recorded in the ancient language of Pali more than 200 years after the Buddha's death. The bulk of the material included monastic rules and a collection of suttas; the Buddha's lectures and sermons. There is no chronological history linking these rules and teachings; which requires a historian to search the Tripitaka for clues to help place events in some sort of sequence. Nanamoli consulted two additional sources in corroborating his sequencing; a 5th century BCE Pali source (the Acariya Buddhaghosa) and a 15th century Burmese history (the Malalankaravatthu).Besides problems of historicity; Nanamoli has in brining this text to a modern English readership to wrestle with issues of accuracy and style. As the Tripitaka was for nearly three centuries an oral tradition; it's structure was built on repetition; both of phrases and key ideas. As modern song writers employ a verse-chorus-verse-chorus pattern; so too did the monks of 2;500 years ago repeat elements in their verse to facilitate memorization. For a modern reader; these elements are initially quaint; but very quickly become tiresome. Nanamoli has judiciously elided most of the extraneous recycled verses; thankfully leaving in a smattering taste.The result is a work that reads like epic myth; with a flavor and texture lacking in modern biographies. This is often charming and engaging; as in the repetition throughout the text of key phrases; such as:+ Thus I heard. At one time the Blessed One was living at ...+ The Blessed One instructed and urged and roused and encouraged with talk on the Dhamma.+ She paid homage and sat down at one side of the Blessed One.+ He paid homage to the Blessed One and departed; keeping him on his right.+ The Blessed One set out to wander by stages to ....It is also to be found in refrains; as from this extract where the Buddha shows his exasperation with a monk who broke his vows by having sex with an alms giver's daughter:=====================================Have I not taught the Dhamma in various ways for the sake of dispassion; not for the sake of passion? Have I not taught the Dhamma in various ways for the sake of unfettering; not for the sake of fettering? Have I not taught the Dhamma in various ways for the sake of relinquishing; not for the sake of clinging? The Dhamma thus taught by me for dispassion; unfettering; and relinquishment you would conceive to be for passion; fettering and clinging. Has the Dhamma not been taught by me in many ways for dispassion; disintoxication; for curing thirst; for abolishing attachment; for severing the round of being; for exhausting craving; for dispassion; for cessation; for Nibbana? Have I not described in many ways the abandoning of sensual desires; the full understanding of perceptions of sensual desires; the curing of thirst for sensual desires; the eradication of thoughts of sensual desires; the allaying of the fever of sensual desires? (p159)=====================================Attentive readers will have no trouble comprehending the main ideas or following Nanamoli's narrative; though at times the text would benefit from explanatory notes. In some instances historical or cultural references are perplexing; such as fire chambers; the Four Divine Kings; or the Brahma Sahampati; the god that knows the Buddha's mind and as his better conscience intervenes from time to time to change the course of events. Conversation in verse between Buddha and his nemesis Mara is not attributed; causing the reader to have to parse the exchange. And there are times when an explanation of nomenclature would save time searching for references; such as Mara's Hindu name; Namuci. In order to preserve the historical accuracy of his text; Nanamoli provides no analysis or interpretation; an understandable decision but one that will leave many readers without a clear understanding of some of the more difficult theories; such as Dependent Origination. Thankfully; the author has collected most of these suttas on theory to a separate chapter on Doctrine.These are small quibbles; though; and in no way detract from the overall experience of the text or from an appreciation of the scholarship; expertise and effort that went into the translation; organization and composition of this book. It is recommended especially for Buddhists who'd like to sample the original source material without having to first master Pali.#

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