This book aims to provide a historical account of the All-India Progressive Writers’ Association (AIPWA). In a structured narrative; it focuses on the political processes inside India; events and circumstances in South Asia and the debates and literary movements in Europe and the United States to demonstrate how the literary project was specifically informed by literary-political movements. It explores the theorisation of literature and politics that informed progressive writing and argues that the progressive conception of literature; art and politics was closer to the theorisation of two thinkers of whom the writers themselves knew very little – Leon Trotsky and Antonio Gramsci. The book charts the progressive movement’s extension into the cultural arena through the Indian People’s Theatre Association (IPTA) and the deepening of its nation-wide character through a progressive nationalism instilled with left-wing ideology. One of the important aims of the AIPWA project was to advance the development of a popular vernacular based on the demotic language of north India – Hindustani. The book locates this issue within the broader nationalist discussion on the national language. Contrary to what is implied by much of the previous scholarship; the book argues that the progressive movement did survive the ravages of partition and that the progressives maintained organisations in both India and Pakistan. It looks at the short-lived but very colourful history of the PWA in Pakistan; using PWA documents; government records and personal testimonies. Arguing that literary output and cultural production cannot be understood; let alone interpreted; outside the context of the nationalist movement; war; independence and partition; the book presents a narrative that necessarily transcends disciplinary boundaries between literature; politics and history. Supplemented with literary and archival sources and oral testimonies from the members of the movement; it provides the readers with a balanced and considered assessment of one of the twentieth century’s most influential and most interesting literary-political movements.
#1781879 in Books Leo Howe 2005-12-16Original language:EnglishPDF # 1 9.21 x .44 x 6.14l; .98 #File Name: 0415364973172 pagesThe Changing World of Bali Religion Society and Tourism The Modern Anthropology of Southeast Asia
Review
3 of 3 people found the following review helpful. a very complex society; with multiple hierarchiesBy W BoudvilleTo many Australians; Bali is a tourist paradise. Rarely do visitors go beyond this surface appearance. Howe offers a more nuanced appreciation. He begins with the now infamous Kuta bombing of October 2002; which killed over 200 people. About half of these were Balinese; and the other half tourists. He uses this to lead into an analysis of the tourism industry. Where there has been suggestions that it is somehow cheapening traditional Balinese culture. From this; he gives a recap of the island's history and its society. Bali was never free of outside influences. From Muslims to the Dutch colonialists and the Japanese invaders.We see how Balinese Hinduism differs subtly from the mainstream Indian Hinduism. Reflecting the rich cultural traditions and history specific to Bali. Also; Howe describes how new religious beliefs are emerging. And of the complex social hierarchies within Bali. There is an intersection of ordering due to Hinduism; wealth and kinship.Especially if you have visited Bali as a tourist; the book gives a far deeper view of that society.
