Winner of the 2008 Washington State Book Award for History/BiographyIn traditional scholarship; Native Americans have been conspicuously absent from urban history. Indians appear at the time of contact; are involved in fighting or treaties; and then seem to vanish; usually onto reservations. In Native Seattle; Coll Thrush explodes the commonly accepted notion that Indians and cities-and thus Indian and urban histories-are mutually exclusive; that Indians and cities cannot coexist; and that one must necessarily be eclipsed by the other. Native people and places played a vital part in the founding of Seattle and in what the city is today; just as urban changes transformed what it meant to be Native.On the urban indigenous frontier of the 1850s; 1860s; and 1870s; Indians were central to town life. Native Americans literally made Seattle possible through their labor and their participation; even as they were made scapegoats for urban disorder. As late as 1880; Seattle was still very much a Native place. Between the 1880s and the 1930s; however; Seattle's urban and Indian histories were transformed as the town turned into a metropolis. Massive changes in the urban environment dramatically affected indigenous people's abilities to survive in traditional places. The movement of Native people and their material culture to Seattle from all across the region inspired new identities both for the migrants and for the city itself. As boosters; historians; and pioneers tried to explain Seattle's historical trajectory; they told stories about Indians: as hostile enemies; as exotic Others; and as noble symbols of a vanished wilderness. But by the beginning of World War II; a new multitribal urban Native community had begun to take shape in Seattle; even as it was overshadowed by the city's appropriation of Indian images to understand and sell itself.After World War II; more changes in the city; combined with the agency of Native people; led to a new visibility and authority for Indians in Seattle. The descendants of Seattle's indigenous peoples capitalized on broader historical revisionism to claim new authority over urban places and narratives. At the beginning of the twenty-first century; Native people have returned to the center of civic life; not as contrived symbols of a whitewashed past but on their own terms. In Seattle; the strands of urban and Indian history have always been intertwined. Including an atlas of indigenous Seattle created with linguist Nile Thompson; Native Seattle is a new kind of urban Indian history; a book with implications that reach far beyond the region.Coll Thrush is assistant professor of history at the University of British Columbia."Coll Thrush quite brilliantly weaves together accounts of the lived experiences of Native peoples in Seattle with the very different ways in which those experiences came to be recorded in white folklore and place-names and in the environmental fabric of Seattle's cultural landscapes. The result is a tour de force." -- from the Foreword by William Cronon"This is the best book; by far; that I have ever read about Indians and cities. Thrush's excavation and analysis are deep and wide-ranging; his narrative impassioned and engaging. A fantastic contribution." -- Ned Blackhawk; author of Violence over the Land: Indians and Empires in the Early American West"This book is a concerted effort to mobilize a new telling of history in order to reject what is essentially an ideological narrative of the past. Indian people; Thrush argues; were not simply part of the prehistory of the city; destined to give way before modernity. They were; in fact; active co-participants in its development. Well written and argued; this book forces readers to understand Seattle-and perhaps; by extension; other cities-in whole new ways." -- Philip Deloria; author of Playing Indian and Indians in Unexpected Places
#350333 in Books 1992-06Ingredients: Example IngredientsOriginal language:JapanesePDF # 1 9.50 x 6.25 x .50l; #File Name: 0295971681176 pages
Review
5 of 5 people found the following review helpful. Become the Chief Designer of the Airplane that Changed the World!By Still AliveThis book is packed with juicy detailsof Zero fighter's design principles;performance trade-offs; innovations;crazy schedules; impossible specifications;horrific accidents; conflicting military bureaucratic demands;and misconceptions;....etc.;by no other than the chief designer of the Zero himself!The Jiro Horikoshi's first-person accountplants the reader squarely into his shoes.Through his literary time warp and space warp;you can breathe; drink coffee; think; worry;and design as the Chief Designer of the Zero!I jumped from ignorant to dangerous on the topic of theMitsubishi Zero Fighter in one reading session!A must read for anyone curious; passionate;or even disinterested in the unique Mitsubishi Zero;the aircraft that changed the world.8 of 8 people found the following review helpful. Dr. Jiro Horikoshi's Story of the Zero FighterBy John T. SterlingI have had the good fortune to be involved with various models of the Zero in the Pacific for over 20 years. I didn't realize there was an actual book published by Dr. Horikoshi concerning specifically the development of the Zero until recently. This book really answers questions about design features and requirements that were ahead of the times. Discussions concerning Japanese Navy requirements; weight minimums; compromises in performance and where the compromises was made up. The Dr.'s regression toward softer elevator control at higher speeds is one example of the simple yet brilliant engineering that went into the Zero; helping to make it the scourge that it was.12 of 12 people found the following review helpful. Eagles of MitsubishiBy Michael ReaI was interested in this book by Jiro Horikoshi the managing engineer of the Mitsubishi Zero (then called Prototype 12) aircraft project; which our Naval Aviators faced in combat in the Pacific during World War II. My primary interest was that I am an Aeronautical Engineer and an Air Force pilot; and I knew that the art of stress analysis was invented here in Nagoya; Japan starting in 1937.I feel a kinship with Dr. Horikoshi because he was a dedicated and talented aircraft designer who succeeded in his art far beyond his wildest dreams. Unfortunately he was also dismayed at the fact that his aircraft was used for purposes beyond his control and knowlege; including Kamikaze.I only hope Dr. Horikoshi was able to recover his pride after the war because he seemed to end the book with a broken heart.