In 1743; sitting quietly with pen in hand; Sarah Osborn pondered how to tell the story of her life; how to make sense of both her spiritual awakening and the sudden destitution of her family. Remarkably; the memoir she created that year survives today; as do more than two thousand additional pages she composed over the following three decades. Sarah Osborn's World is the first book to mine this remarkable woman’s prolific personal and spiritual record. Catherine Brekus recovers the largely forgotten story of Sarah Osborn's life as one of the most charismatic female religious leaders of her time; while also connecting her captivating story to the rising evangelical movement in eighteenth-century America.A schoolteacher in Rhode Island; a wife; and a mother; Sarah Osborn led a remarkable revival in the 1760s that brought hundreds of people; including many slaves; to her house each week. Her extensive written record—encompassing issues ranging from the desire to be "born again" to a suspicion of capitalism—provides a unique vantage point from which to view the emergence of evangelicalism. Brekus sets Sarah Osborn's experience in the context of her revivalist era and expands our understanding of the birth of the evangelical movement—a movement that transformed Protestantism in the decades before the American Revolution.
#365730 in Books 2011-04-26Original language:EnglishPDF # 1 9.19 x .90 x 6.16l; 1.07 #File Name: 0300171234336 pages
Review
1 of 1 people found the following review helpful. Great LA/classical story.By E. B.A great book for anyone interested in LA history specifically and classical music history more broadly. The author tells a great story with the use of tons of primary data.0 of 0 people found the following review helpful. very impressedBy Robert J. O'BrienAmong the figures on this list are also Hanns Eisler and Mario Castilnuovo-Tedesco; who advanced movie music!9 of 11 people found the following review helpful. A Windfall for AmericaBy Robert H. Spaethling"A Windfall of Musicians" is a captivating account of European musicians driven out of Europe and coming to southern California in the 1930s and 40s. It is the story of conductors (e.g. Otto Klemperer); singers (e.g. Lotte Lehmann) and composers (e.g. Schoenberg; Stravinsky; Hanns Eisler); their professional struggles; their "granitic integrity;" their successes; their failures. Crawford's account of this dark chapter in western civilization is lucid; her documentation excellent. This book should be read by everyone interested in music and politics. (Robert Spaethling)